A recent symposium held in Glasgow and organised jointly by Glasgow School of Art and Q-Art saw fine art staff, students and industry professionals examine the role of art schools and how they prepare students for life after university. Laura Campbell reports on the issues raised and the possible solutions.
The Artists Fund pilot programme – a partnership between a-n, Artquest and DACS – has chosen the recipients of five £1,000 grants and three commissions worth £2,000 each.
Edinburgh Art Festival has announced the four artists and collectives from across Scotland selected to participate in its programme dedicated to supporting artists at the beginning of their careers.
With recent high-profile appointments of women in the visual arts, from Frances Morris as the new director of Tate Modern to Sarah Munro at Baltic, gender equality and the underrepresentation of female artists in the UK’s major art galleries has been put in the spotlight. Dany Louise speaks to female gallery directors who are making sure that the issue gets the attention it deserves.
As Troy Town Art Pottery moves from its first home at Open School East down the road to an outbuilding on Hoxton Street, founder and artist Aaron Angell speaks to Pippa Koszerek about his motivations and future plans for the London-based pottery.
During the summer months of 2011 and 2012, Paul Winstanley travelled around Britain photographing the unpopulated studios of every degree-conferring art school in the country. Now translated into a series of paintings and prints, the work is currently on show at Alan Cristea Gallery in London.
46 artists have been selected for the annual open submission exhibition that showcases new and recent fine art graduates.
The London-based artist Lawrence Lek uses the visual language of computer games to produce site-specific works that simulate real-world environments and create fantasy narratives. His film for Glasgow International sees the Clyde-built QE2 cruise liner sail from Dubai to Scotland to be turned into an extension for the Glasgow School of Art. Chris Sharratt finds out why.
New work by leading international and Scottish artists, alongside a focus on the work of ‘The Next Generation of Artists’, will be among the highlights of the 13th edition of the UK’s largest annual festival of visual art.
Thanks to capital funding from a special regeneration fund, Glasgow’s Telfer Gallery has relocated to a new space in the city’s East End as part of the soon to open Many Studios complex. Chris Sharratt finds out more.
What does it mean to be an artist and how does the romantic idea of the creative individual pursuing their passion impact on the reality of an artistic practice? At Creative Scotland’s recent Visual Arts Sector Review event in Edinburgh, Glasgow-based artist Rachel Maclean talked about this and more. Here we republish an edited extract of her provocation.
The Syllabus is a nomadic artist development programme billed as an alternative to formal art education. At its half-way stage, Anneka French speaks to the project’s organisers, artist Andy Holden and Wysing Arts Centre, and to two of the ten participating artists.
Artist Jonathan Monk crosses the boundaries between art and football by creating unique giveaway for Partick Thistle fans.
Artist Ellie Harrison’s year-long Glasgow Effect project has attracted widespread outrage on social media and in the national press, with many accusing her of ‘poverty tourism’. Julie McCalden makes a case for a more nuanced response to the project and argues the case for more, not less, public funding for the arts.
London Metropolitan University’s plans to move the Cass Faculty of Art, Architecture and Design from the East End focus of debate as artist Bob and Roberta Smith creates new artwork in protest.
On the eve of the United Nations’ International Day of Disabled People, Unlimited’s Jo Verrent says there is still much to be done in supporting the work of disabled artists, but that this is an opportunity to commit to change.
This year’s engage International Conference in Glasgow focused on young people working with art and artists, with a remit to explore the gallery as a school, the importance of cross-disciplinary engagement, and the ethics of peer-led practice. But, as Moira Jeffrey reports, much of the lively and challenging discussion was wide-ranging and off script.
Last week, the Creative Industries Federation hosted its first event in Scotland at the newly refurbished Glasgow Royal Concert Hall. Richard Taylor unpicks some of the topics discussed during the evening’s panel discussion.
In a piece originally published by The Conversation, artist and 1997 Turner Prize nominee Christine Borland, professor of art at Northumbria University, argues that the prize needs to transcend its own ‘structures of power’ and instead find a way for the art itself to be centre stage.
The Royal Scottish Academy of Art & Architecture has announced the winners of its annual art prizes for artists working in lens-based media and water-based media, plus its annual travel award for graduates and current postgraduate students.
Berlin-based artist Phil Collins’ latest film installation at Gallery of Modern Art in Glasgow has developed from an 82-minute long film he made over the course of a year in collaboration with the city’s people and its institutions. Chris Sharratt speaks to the artist about the development of the project, his interest in Glasgow and its inhabitants, and the transformative power of a pop song.
Manchester-based Liz West has opened her highest value commission to date at Bradford’s National Media Museum – the immersive light-based installation, An Additive Mix. She speaks to Pippa Koszerek about the making process, starting out and making the jump to full-time artist.
Julie McCalden reports on the outcomes of the recent project that set a team of eleven artists across five cities the task of ensuring artists’ voices were heard in the Paying Artists campaign during the lead up to the general election.
