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The director of the Glasgow-based art organisation, which in 2017 celebrated its 10th year, reflects on the achievement of survival in the current funding climate while bemoaning the car crash of contemporary British politics.

Ten artists and a-n members were awarded an a-n bursary to visit to the 57th Venice Biennale. They have been sharing their views via a-n Reviews and Blogs. AIR Council member Binita Walia, who visited the Venice Biennale at the same time, presents a collection of their thoughts and reflections.

For the latest in our ongoing series looking at art scenes around the UK, Corby-based James Steventon takes a tour of Northamptonshire which also includes the former industrial towns of Northampton and Kettering in its borders.

For her Venice Biennale film, Spite Your Face, Scottish artist Rachel Maclean has created a re-working of the Pinnocchio story that explores power, political lies and the rise of populism. Moira Jeffrey talks to her about the themes and form of the work.

As conflict and war continues across the world, artists are exploring ways to cut through the mainstream news narrative in order to highlight the ongoing refugee crisis. Lydia Ashman looks at current projects, artworks, and exhibitions that are tackling this urgent humanitarian and political issue.

Artists Alex Hartley and Tom James have created a geodesic dome constructed from reclaimed materials and situated it in the Capability Brown-designed gardens of Compton Verney, a Georgian mansion and gallery in rural Warwickshire. Anneka French finds out about their plans for the future.

The key themes on the agenda at this year’s No Boundaries conference, supported by Arts Council England and the British Council, emerged as community, inclusivity and socially responsible citizenship. Sophia Crilly reports.

The recent ReROOTed Festival in Hull celebrated the legacy of Hull Time Based Arts and its ROOT festival with a weekend of performance, discussion and debate. Pippa Koszerek reports.

John Dilnot has been creating his hand-produced books since 1985 and his work features in the collections of the V&A, Tate, MoMA, and more. As a touring exhibition exploring his practice opens in Northern Ireland, Sarah Bodman provides a snapshot of his many publications.

For the first in a new roving, monthly series of art scene snapshots from across the UK, artist Damian Magee introduces his home city of Belfast and picks five current exhibitions that capture the social, political, and cultural interests of artists in Northern Ireland’s largest city.

The seventh edition of Fermynwoods’ annual online exhibition features two UK-based American artists whose work has resonances with the current political situation in the US. Jack Hutchinson speaks to Anna Brownsted and Jessica Harby about the anger, despair and anxiety fuelling their approach.

Bryony Bond started 2016 with a move across the Pennines from The Whitworth in Manchester to The Tetley, Leeds. She looks back on a year of “new starts”.

2016 started well for The New Art Gallery Walsall, but as it draws to a close the venue is fighting for survival in the face of proposed local council funding cuts. The Black Country gallery’s director reflects on “a funny old year”.

This year saw Sam Thorne take up his new role at Nottingham Contemporary gallery, having previously been artistic director of Tate St Ives. He looks back on a challenging and “often disappointing” 2016.

The Glasgow-based artist, who first came to prominence in the 1990s, this year became the recipient of the newly created Freelands Award for women artists. She shares her thoughts on 12 months that also saw her first substantial show in Scotland for 10 years.

Salford-based artist Maurice Carlin is the recipient of the inaugural Clore Visual Artist Fellowship 2016/17, supported by a-n. He recalls a year in which personal successes have been overshadowed by global events.

In February 2016, London-based artist Emma Hart won the biennial Max Mara Art Prize for Women, the prize for which includes a six-month residency in Italy and a solo show at Whitechapel Gallery in 2017. She looks back on a year in which she “almost cheered up”.

This year saw Frances Morris become director of Tate Modern and in June the gallery’s £260m extension, The Switch House, opened to positive reviews. She reflects on what has personally been an “amazing year” while lamenting a period in which “respect for difference and individuality” has been vigorously attacked.

London-based artist Zoe Childerley has been walking the English-Scottish border as part of a residency with Visual Arts in Rural Communities in Northumberland. Pippa Koszerek talks to her in the lead up to an end of residency exhibition

Turner Prize winning artist Martin Creed has major shows on at Hauser & Wirth Somerset and Park Avenue Armory in New York, has recently played at Glastonbury, and has just released a new album of songs, Thoughts Lined Up. Fisun Güner talks to him about music, art, food phobias and life after Brexit.

In the latest instalment of her monthly column on artists’ books, Sarah Bodman looks at some beautiful publications inspired by the works of the Bard ahead of this year’s Liverpool Artists’ Book Fair.

The outspoken artist and performer Liv Wynter is undertaking a residency at the artist-run Royal Standard titled HOW MUCH ARE THEY PAYING YOU? to coincide with this year’s Bloomberg New Contemporaries at Liverpool Biennial. Laura Robertson speaks to her about activism, artists getting paid, and remembering Ana Mendieta.

The photographic artist Wolfgang Tillmans has created a series of posters against Brexit and highlighting what he believes are the humanitarian and democratic benefits of the UK remaining within the European Union.