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The 58th edition of the Venice Biennale features more than 90 national presentations spread across the Giardini, Arsenale and other locations across the city. We highlight 10 of the best.

Sean Edwards is presenting new work in Venice that draws on his experiences of growing up on a council estate in 1980s Cardiff and includes sculpture, film, prints, quilts and a radio play produced in partnership with National Theatre Wales. David Trigg finds out more.

Ten artists and a-n members were awarded an a-n bursary to visit to the 57th Venice Biennale. They have been sharing their views via a-n Reviews and Blogs. AIR Council member Binita Walia, who visited the Venice Biennale at the same time, presents a collection of their thoughts and reflections.

London-based artist Kimathi Donkor is among 12 artists featured in the Diaspora Pavilion at this year’s Venice Biennale, presented by the International Curators Forum and University of the Arts London. He talks about the importance of the British black arts movement in the 1980s, history painting, and the idea of diaspora.

The Venice Biennale is the world’s biggest and most important international art event. But how do the exhibiting artists get chosen to represent their country at the national pavilions or collateral exhibitions and how does the process differ from one country to the next? We take a look and find that, although in differing forms, the open call is becoming increasingly popular.

Artist Anthony Schrag is walking to Venice and invites artists and members of the public to join him along his route. Organised by Deveron Arts, Lure of the Lost: A Contemporary Pilgrimage questions the temptations of La Biennale.

Just because you’re not officially in the Venice Biennale doesn’t mean you can’t be part of the frenzy of activity taking place across the city. Pippa Koszerek highlights some of the alternative and artist-led events taking place during and beyond the Biennale’s three-day preview.

Supported by a-n, Edinburgh College student Chloe McHardy is part of the 2022 Scotland + Venice Professional Development Programme. The aim of the programme is to help participants establish professional networks at a transitional point in their careers. Over a […]

Working with fifth generation tightrope walker Rasul Abakarov within the vast landscape of Dagestan, artist Taus Makhacheva’s film Tightrope has been lauded by critics following its exhibition at the Venice Biennale. Pippa Koszerek talks to the artist about the processes and risks involved in her work.

For her Venice Biennale film, Spite Your Face, Scottish artist Rachel Maclean has created a re-working of the Pinnocchio story that explores power, political lies and the rise of populism. Moira Jeffrey talks to her about the themes and form of the work.

We asked this year’s Venice Biennale a-n travel bursary recipients and AIR Council members attending the biennale preview to tell us what their highlights were. They came back with 26 different recommendations – and a few repeats.

Recipients of a-n’s Go and See Venice bursary pick some of their highlights from the 56th Venice Biennale.

For the Scottish pavilion in Venice, Glasgow-based artist Graham Fagen has created four rooms of new work that includes a large bronze rope tree, intimate works on paper and a four-screen audio-visual installation. Chris Sharratt talks to the artist.

Beyond the main national pavilions, this year’s Venice Biennale features over 40 ‘Collateral’ events, including official presentations from Scotland and Wales. Here, we select ten not to miss.

There are 89 official national pavilions at the 56th Venice Biennale, situated in the Giardini, Arsenale and venues across the city. On the eve of the Biennale’s three-day preview prior to it opening to the public on 9 May, Pippa Koszerek picks ten countries you really should visit.

For only the second time, Iraq has a national representation at the Venice Biennale. Curated by Ikon Gallery Director Jonathan Watkins, what sets it apart from the 2011 pavilion is that all the artists featured still live and work in the country. S Mark Gubb takes a look at the work on show and finds out how you pull off an exhibition from a country that has no curators, and of which curators on the outside know nothing about.

London-based artist Larry Achiampong has had a busy year, including commissions for Somerset House, the Jerwood Visual Arts 3-Phase programme and the Diaspora Pavilion during the Venice Biennale. He reflects on a “full on” 2017 that has been tainted by the avoidable tragedy of Grenfell.

Iraqi-born, Cardiff-based artist Rabab Ghazoul is one of five artists featured in the Iraq Pavilion at this year’s Venice Biennale, with a three-channel video piece that focuses on Tony Blair’s testimony to the Chilcot Inquiry. Chris Sharratt finds out more.

Working internationally is key to the development of many artists’ practice, but without gallery representation the hurdles are considerable. With the 55th Venice Biennale soon to open, we speak to three artists – including one showing in Venice – about the challenges of working abroad without a gallery, and also get the views of an independent curator.

A member of the influential Blk Art Group in the 1980s, Claudette Johnson’s exhibition ‘I Came To Dance’ at Modern Art Oxford features 30 works on paper by the artist, spanning four decades from the ’80s to the present day. Fisun Güner discusses her work then and now.

The artist Clare Thornton died on 15 April 2019 after a long illness. Alexia Holt, associate director and visual arts programme producer at Cove Park, looks back over her career and introduces a new residency programme in her memory.

As part of their Bank Job project in Walthamstow, Hilary Powell and Dan Edelstyn have printed ‘money’ and bonds as a way to write off personal debt in the community. Artist Alistair Gentry, who has been involved in the initiative, talks to them as they prepare for a symbolic ‘Big Bang’ event in the City.

The artist Richard Billingham came to prominence in 1996 with the photo series Ray’s a Laugh, which documented the chaotic life of his alcoholic father and violent mother in a Black Country tower block. Now he’s made a feature film, Ray & Liz, about his early family life. Fisun Güner talks to him.

What does 2019 have in store in terms of exhibitions, art fairs, festivals, conferences and other events? We take a month-by-month look at what the year ahead has to offer.

The London-based Slovenian artist has enjoyed a “madly busy” year, with a heightened profile in the UK year following a solo show at Baltic and a nomination for the Jarman Award.