40th Anniversary Features Archive - Page 2 of 2 - a-n The Artists Information Company

40th Anniversary Feature

40 Years 40 Artists: Brian Catling

Brian Catling reflects on his work in the 1980s and explains how he made his first performance piece at Whitechapel Gallery “by divine accident”.

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40th Anniversary Feature

40 Years 40 Artists: Keith Piper

Keith Piper, a founding member of the Blk Art Group and now a member of a-n’s Board, outlines the evolution of his practice during the 1980s.

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40th Anniversary Feature

40 Years 40 Artists: Antony Gormley

Antony Gormley recalls the “exciting rollercoaster” of making work in the 1980s and his admiration for a-n’s “modesty and pragmatism”.

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40th Anniversary Feature

40 Years 40 Artists: Lis Rhodes

Lis Rhodes reflects on her involvement in protests and strikes during the 1980s, and her co-founding of the feminist film and video network Circles.

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40th Anniversary Feature

40 Years 40 Artists: Sunil Gupta

Sunil Gupta discusses making work about the experiences of gay men in his hometown of Delhi and setting up Autograph in the 1980s.

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40th Anniversary Feature

40 Years 40 Artists: Richard Wilson

Richard Wilson considers his major sound and sculptural installation inside the Tyne Bridge and performing with Bow Gamelan Ensemble during the 1980s.

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40th Anniversary Feature

Artists Newsletter #1: The 1980s

In the first of a new series of publications celebrating the a-n archive, Black Hole Club unearth the past, probe the present, and look to the future.

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40th Anniversary Feature

40 Years 40 Artists: Mona Hatoum

Mona Hatoum discusses the ways in which her own work “became more confrontational” in the 1980s through live performance and direct street action.

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40th Anniversary Feature

40 Years 40 Artists: the 1980s

Read the first 10 conversations in our 40 Years 40 Artists series of interviews with artists who feature in a-n’s archive.

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40th Anniversary Feature

40 Years 40 Artists: Anne Bean

Anne Bean recalls co-founding Bow Gamelan Ensemble and “resonant living and working situations” in 1980s Mexico and Poland.

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