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Platform BK, Netherlands: “An active think-tank for artists”

When a change of government in the Netherlands reversed years of generous state support for the arts, Rune Peitersen got together with other artists to challenge anti-artist rhetoric and argue for fair pay and support for artists and arts organisations. He talks to artist and AIR Council member Joseph Young about Platform BK, the small but dynamic organisation he co-founded five years ago.

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NOW SHOWING #128: The week’s top exhibitions

For the first Now Showing selection of 2016, we explore painting after abstraction in London, consider artistic positions that have been hard won in Edinburgh, and try to make sense of the ‘reality’ around us in Manchester.

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2016 New Year’s Honours: Situations’ Claire Doherty receives MBE

The founder and director of Situations Claire Doherty has been recognised in the 2016 New Year’s Honours list for her outstanding contribution to the arts in the public realm, while artist Phyllida Barlow and Henry Moore Foundation director Godfrey Worsdale also receive honours for services to the arts.

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2015 – How was it for you? #8 Sarah Munro, Director, BALTIC

There’s been plenty for new BALTIC director to celebrate in 2015, from bringing the Turner Prize to Glasgow while head of Tramway, to becoming the Gateshead venue’s first female director. Sarah Munro reflects on a “rollercoaster” of a year and a new job that makes her “tingle with excitement”.

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Cass dean Robert Mull resigns over relocation plans

As protests continue over the plan to move the Sir John Cass Faculty of Art, Architecture and Design to a new site in Islington, the faculty’s dean has resigned having earlier been suspended over his disagreement with the relocation.

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2015 – How was it for you? #1: Claire Doherty, Director, Situations

This year has seen the Bristol-based public art commissioning organisation, Situations, present one of its most ambitious and high-profile events yet with Theaster Gates’ Sanctum project. In the first of our end of year series, its director looks back on a ‘breakthrough’ year and looks forward to more support for public art that is ‘temporary and unfolding’.

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