News comment - a-n The Artists Information Company

It Takes a Village: Models for Mother Artists event at Atelier Stroud, 23 April 2017, from 'Mother House' session with Dyana Gravina and Amy Dignam from ProCreate project. Photo: the Women's Art Activation System (WAAS)
News News comment

Models for mother artists: how to maintain your practice as a parent

Being a mother of young children and continuing your art practice is incredibly difficult. Inspired by a recent symposium exploring the challenges of being a ‘mother artist’, Frances Bossom – who presents a ‘Proposal for a Guide for Art Parents’ at June’s a-n Assembly event in Bristol – calls for an approach that values the complex reality of motherhood.

0 0
Lubaina Himid, Naming the Money, 2004, installation view of 'Navigation Charts', Spike Island, Bristol, 2017. Photo: Stuart Whipps; Courtesy: the artist, Hollybush Gardens, and National Museums, Liverpool
News News comment

Turner Prize 2017: inclusion of over-50s reflects reality of artists’ careers today

Yesterday’s announcement of the 2017 Turner Prize shortlist saw two artists over 50 nominated – Hurvin Anderson and Lubaina Himid – reflecting the recent decision to drop its longstanding under-50 rule. Fisun Güner welcomes the change, arguing that it better reflects the reality of many artists’ careers while also ensuring a particularly strong line-up for this year’s prize.

0 2
Rosalie Schweiker at  ‘Art is not a Commodity: Examining Economic Exceptionalism in Art’, ICA, London, 18 February 2017. Photo: Marysia Lewandowska. CC by 4.0
News News comment

No more fake orgasms: stop boosting the art world’s self-esteem

At the recent symposium, ‘Art is not a Commodity: Examining Economic Exceptionalism in Art’, Rosalie Schweiker argued that artists need to “stop faking orgasms” and instead start clearly vocalising their dissatisfaction with the art world. Here, we publish an edited version of her presentation.

1 5
Poster by Perry Hoberman, available from https://www.haironfire.org/free-images-1/
News News comment

Midwestern blues: Trump, a polarised America, and the curse and opportunity of ‘interesting times’

As Washington DC prepares for the 20 January presidential inauguration and the rest of the world is gripped/appalled by the latest predictably narcissistic Donald Trump Twitter outburst, London-based artist Sonya Dyer – who was on a residency in Nebraska during the election – reflects on her US experience and considers what the new era means for art and artists.

0 0
Pietro Lorenzetti, Christ between Saints Paul and Peter (c.1320), installation view, Ferens Art Gallery, Hull
News News comment

Saints preserve us: Ferens Art Gallery and why culture should be funded as an asset, not a burden

Ferens Art Gallery in Hull has reopened after a £5.2 million refurbishment largely funded by Hull City Council. But while the local authority should be commended for its commitment to culture, Sheila McGregor argues that the blame for council cuts in towns and cities across the UK needs to be forcefully directed at Westminster politicians rather than hapless local representatives.

0 1
Paloma Proudfoot and Aniela Piasecka, performance of Made To Be Broken as part of the Platform exhibition at Edinburgh Art Festival 2016.
News News comment

2016 in view: “Out of the messiness came solidarity and collaboration”

a-n’s Executive Director Jeanie Scott reflects on an incredibly busy year for the organisation that has seen the publication of the Paying Artists Exhibition Payment Guidance, wide-ranging support for artists through a-n bursaries, and membership reach a record high. And, despite an increasingly messy global situation, says there’s much to look forward to in 2017.

0 1
Uptin House, Ouseburn, Newcastle
News News comment

Resisting gentrification: why we should fight hard to protect affordable creative spaces

Newcastle-based artist Kathryn Hodgkinson believes that the city council’s planning decisions are having a detrimental effect on the area’s creative community. In the wake of the recent decision to demolish the creative space Uptin House to make way for ‘yet another block of student flats’, she argues that local authorities need to embrace the true value of artists.

2 2
Willem De Kooning, Woman II, 1952, Oil, enamel and charcoal on canvas, 149.9 x 109.3 cm, The Museum of Modern Art, New York. Gift of Blanchette Hooker Rockefeller, 1995, © 2016 The Willem de Kooning Foundation / Artists Rights Society (ARS), New York and DACS, London 2016. Digital image (c) 2016. The Museum of Modern Art, New York/Scala, Florence
News News comment

Abstract expressionism: a phenomenon, not a movement

The just-opened ‘Abstract Expressionism’ exhibition at the Royal Academy chronicles a key moment in 20th century art, presenting some of the period’s most iconic works. Fisun Güner reflects on the significance of this last great age of the artist as hero and tortured genius.

0 1
News News comment

a-n members EU referendum survey: “The impact of Brexit has been immediate”

Following the result of the EU referendum in June, a-n’s member survey was a chance to get a sense of how Brexit might affect visual artists. Dany Louise highlights some of the survey findings including examples of how the decision to leave the EU is already affecting members who regularly work, exhibit or apply for opportunities in Europe.

1 1
Photo: © European Union 2016 - European Parliament".
(Attribution-NonCommercial-NoDerivatives CreativeCommons licenses creativecommons.org/licenses/by-nc-nd/4.0/).
News News comment

Post EU referendum: enabling conversations or the flight of cultural capital?

We asked artists, arts organisers and writers to comment on how leaving the EU might affect culture and creativity in the UK. Here, writer and researcher François Matarasso, mima’s Alistair Hudson, Katrina M Brown of the Common Guild, Modern Art Oxford director Paul Hobson, and artists Haroon Mirza, Joseph Young and Gordon Shrigley give their views.

2 1