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PICTURED #36: Andy Sewell, Something Like a Nest

Andy Sewell’s self published Something like a Nest reveals the unique yet odd appearance of the English countryside when it comes up against modern life. Tim Clark celebrates the book’s quiet sophistication in the first PICTURED column of 2015.

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Blood Swept Lands artists receive MBEs

Co-creators of the Tower of London ‘poppy’ installation, artist Paul Cummins and theatre designer Tom Piper, have been recognised in the 2015 New Year’s Honours list, alongside outgoing Arts Council England CEO Alan Davey and Metal founder Jude Kelly.

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2014 – How was it for you? #10: Jeanie Scott

In the final instalment of our ten-part end-of-year series, a-n’s new director – who took over in September following a three-month handover period – looks back over the last 12 months and looks forward to doing more for artists in 2015.

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2014 – How was it for you? #9: Lucy Byatt

The director of Hospitalfield Arts in Arbroath, Scotland – which will be curating the Scottish pavilion at the 2015 Venice Biennale, alongside its ongoing programme of artists’ residencies – reflects on a busy year of new partnerships and future possibilities.

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2014 – How was it for you? #8: Elena Thomas

As our end-of-year series continues, the Birmingham-based artist and active a-n blogger describes a time that has seen her quit a longstanding job, grow in confidence as an artist and secure funding for her year-long project, Nine Women.

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2014 – How was it for you? #6: Craig Barnes

Artist Craig Barnes – who in 2014 completed his project to restore a 1960s Futuro house, exhibiting it on the roof of Matt’s Gallery, London – looks back on a year of small miracles and big emotions.

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2014 – How was it for you? #1: Rose Wylie

In the first of our end-of-year series, Rose Wylie – winner of the John Moores Painting Prize 2014 – reflects on 12 months that have seen the joy of her achievements tempered by personal loss.

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Artists working in higher education: “Connecting different approaches”

As part of a year-long research programme exploring how artists and academics have worked together, Castlefield Gallery is hosting a discussion event exploring the approaches artists take to working in higher education. Plus, a-n is offering writer bursaries to enable two artists to attend the event and report back.

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