This report examines how young people on Detention and Training Orders could access, participate and progress in the arts. Researched by Nottingham Trent University, and published by Arts Council England in 2005, this is part of the body of research exploring the role of arts within New Labour Social Inclusion policy.
Research - Page 11 of 12 - a-n The Artists Information Company
Provides sample historical rates of pay for artists from a range of organisations and compares artists’ rates with those of arts managers.
Regional report mapping the creative industries sector in Devon and Torbay, and making recommendations for its support and growth.
The first survey of its kind, intended to provide the beginning of a national register of artists’ studio groups and organisations.
2005 report on the working environment of West Midlands designer makers, craftspeople and applied artists at different stages of their careers. It was undertaken to explore activity, identify needs and gaps in provision of professional development support.
Profile of the shared workspaces and related services used by visual artists and craftspeople in the Yorkshire and Humberside region in 2005.
Strengthens the evidence base for the effectiveness of the arts within criminal justice by providing a clear account of evidence and theory base for the sector as of 2005; includes visual arts and film section.
Associated with the Visual Intelligence project at Lancaster University, asks whether it is possible to chart the evolution of an artist’s creative thought through their making processes.
Assessment of Museums, Libraries and Archives’ contribution to key social policy targets including regeneration, health and cultural diversity.
The economic and social impact of cultural festivals in the East Midlands of England in 2002.
Key findings from 2003 audience research document, commissioned by ACE from the Office of National Statistics
In 2004, a-n commissioned a team from University of Newcastle to undertake research into context, attitudes and approaches to paying artists for their skills and services.
Quality indicators and advice for planning, commissioning and delivery.
In Part 1, Paul Glinkowski talks to Angela Weight, Keeper of Art at the Imperial War Museum, and to some of the artists she has commissioned. In Part 2, he looks at the experiences of two artists who choose to work in conflict zones without the backing or safety net of state patronage.
Presents findings of research on social inclusion in the arts.
Written by consultant Adrian Ellis as a briefing towards a conference considering issues of sustainability for the arts in a time of rapid change.
Document mapping arts activity in the South West.
Useful research summary on the social and economic impacts of culture, arts and sports. Produced by the Research and Economic Unit of the Scottish Executive Education Department in 2004. An update notes subsequent and additional documents that add to the literature.
Commissioned by ACE in association with Tate, explores content of the secondary school art curriculum, examines approaches taken by different teachers and schools. Discusses whether there is a place for contemporary art practice.
In June 2004, Tessa Jowell, then Secretary of State for Culture, Media and Sport, published a personal essay called Government and the Value of Culture, in which she asked, ‘How, in going beyond targets, can we best capture the value of culture?’ This document responds to Jowell’s essay, proposing a wholesale reshaping of the public funding of culture.
Published by Centre for Cultural Policy Studies at Warwick University in 2004. Examines theoretical and practical issues related to ‘decentralisation’ in cultural policy in England.
Primary research and literature review of the economic impact of the cultural sector across Scotland with recommendations for Scotland’s cultural strategy and policy agenda.
Executive summary of findings of survey carried out by the Office for National Statistics, presenting information on attendance, participation and attitudes to the arts and culture among Black and minority ethnic adults in England.
ACE document from 2003 highlighting the value of open studios for artists, audiences, local arts and economic and social developmental strategies.
Advocacy, data and strategy document for the creative industries in London, commissioned by the Mayor of London, Ken Livingstone.