a-n writer development programme - Page 2 of 4 - a-n The Artists Information Company

In the last of eight reviews stemming from the writer development workshop at Ikon Gallery in December, Trevor H Smith finds many questions left hanging in Edmund Clark’s exhibition, ‘In Place of Hate’. I am led down a strip-lit corridor, […]

For his review of Edmund Clark’s ‘In Place of Hate’, Martin Hamblen is struck by an absence on the inside. A walk-in, waist-high light box, constructed in the shape of a right angled capital C. On the exposed Perspex surface […]

For her 600-word review following the writer development workshop at Birmingham’s Ikon Gallery, Jessica Ramm chose to write about Edmund Clark’s exhibition. For the exhibition ‘In Place of Hate’, Edmund Clark offers up the culmination of his three-year residency at […]

A video of ornamental goldfish swimming through feathery weed plays on the screen of a large box TV near the entrance to Edmund Clark’s exhibition, ‘In Place of Hate’. It reminds me of time spent watching goldfish in an aquarium […]

Following on from the writer development programme workshop at Ikon Gallery, which was led by Frieze deputy editor Amy Sherlock, Laura Davidson reviews Edmund Clark’s “refreshing utopian” exhibition, ‘In Place of Hate’. Oscar Wilde pressed flowers he found in the […]

At the third writer workshop led by Frieze deputy editor Amy Sherlock, the participants were asked to file a 600-word of one of the two current exhibitions at Ikon Gallery, Birmingham. This is Carrie Foulkes’ review Edmund Clark’s ‘In Place of […]

While all the other writers chose to review the Edmund Clark exhibition at Ikon Gallery, Rachel Magdeburg decided to focus her 600-word piece on an exhibition of works by the 19th century convict artist Thomas Bock. This is her review. Thomas […]

During the third writer development workshop at Ikon Gallery in Birmingham, all the writers visited the current exhibitions at the gallery (‘In Place of Hate’ by Edmund Clark and ‘Thomas Bock’). Frieze deputy editor Amy Sherlock led the workshop and asked […]

Stemming from the second writer development workshop at Jerwood Space in London, Carrie Foulkes decided to write a profile of the Newcastle-based artist Nicola Singh – one of three artists chosen for the 3-Phase programme. Working across performance, sculpture, installation […]

Gateshead-based writer Rachel Magdeburg chose to write about the Newcastle artist Nicola Singh for her 3-Phase artist profile. Language is thrilling and pivotal to the artist Nicola Singh, and her words and those of others are used with precision to create […]

With Birmingham gripped by German-style Christmas markets and seasonal shopping madness, on Thursday 7 December the third workshop of the a-n Writer Development Programme took place at the city’s Ikon Gallery. Hosted by Frieze deputy editor Amy Sherlock, the afternoon […]

For his writing task following the workshop at Jerwood Space, London, Bath-based Trevor H Smith chose to write an 800-word profile of the 3-Phase artist Larry Achiampong. Larry Achiampong wants to talk to you. More accurately, perhaps, Larry Achiampong wants […]

Having visited the 3-Phase exhibition at Jerwood Space, London during the second a-n Writer Development Programme workshop, Eastbourne-based writer Judith Alder chose to write her 800-1000 word profile piece on the artist Mark Essen. On a visit to Mark Essen’s […]

As a follow up to the second a-n Writer Development Programme workshop at Jerwood Space, led by Fisun Güner, the writers were tasked with writing an 800-1000 word profile of one of the three artists featured in Jerwood’s 3-Phase exhibition. Edinburgh-based […]

Because Rachel was not able to attend the Spike Island workshop due to a last-minute flight cancellation, she visited the Kim Yong-Ik exhibition at the Korean Cultural Centre UK in London. To follow is her 800-word article informed by Kim and […]

Eastbourne-based writer Judith Alder reflects on the work of South Korean artist Kim Yong-Ik, in the sixth of eight pieces informed by seeing the artist’s exhibition, ‘I Believe My Works Are Still Valid’, at Spike Island, Bristol As young artists, we rush through […]

The fifth 800-word piece informed by seeing Kim Yong-Ik’s ‘I Believe My Works Are Still Valid’ exhibition at Spike Island, Bristol is by the Preston-based writer Martin Hamblen. A box hanging from the ceiling, above head height. An invigilator interrupts us, […]

The fourth 800-word piece informed by seeing Kim Yong-Ik’s ‘I Believe My Works Are Still Valid’ exhibition at Spike Island, Bristol is by the Bath-based writer Trevor H. Smith. The writers were asked to include the following in the piece: a direct […]

The third 800-word piece informed by seeing Kim Yong-Ik’s ‘I Believe My Works Are Still Valid’ exhibition at Spike Island, Bristol is by the London-based writer Carrie Foulkes. For this task, the writers were asked to include a direct quote from the artist, a […]

The second workshop in the a-n Writer Development Programme took place on Wednesday 8 November at Jerwood Space, London. (Thanks to Jerwood Charitable Foundation for supporting the workshop by covering the cost of the room hire.) All eight writers on […]

The second 800-word piece informed by seeing Kim Yong-Ik’s ‘I Believe My Works Are Still Valid’ exhibition at Spike Island, Bristol is by the London-based writer Laura Davidson. As part of the task, the writers were asked to include a direct quote […]