The latest updates after Glasgow School of Art’s Mackintosh Building is devastated by fire for the second time in four years. Including: British and Scottish governments pledge to support restoration, Glasgow School of Art contractor previously condemned for fire safety failings, plus were lessons learned from 2014 fire?
Scotland - a-n The Artists Information Company
As numbness turns to anger following Friday night’s fire at Glasgow School of Art’s Mackintosh Building, Chris Sharratt hopes that the building can rise again after this second even more devastating blaze.
The Glasgow-based arts producer which had previously announced ambitious plans to turn a former modernist seminary into an arts centre, has said it is to close in September after 25 years.
The Turner Prize nominated artist, who works with moving image, sculpture, writing and performance, will represent Scotland at the 58th Venice Biennale in 2019.
During this year’s Glasgow International, artists Ailie Rutherford and Janie Nicoll presented In Kind, an action research project using the festival as a case study in order to chart the “hidden economies of the visual arts”. Fellow Glasgow-based artist Jessica Ramm finds out what they discovered and ponders where to go next.
Trevor H. Smith, one of eight a-n members selected for the a-n Writer Development Programme 2017-18, reviews the GI group show ‘Second Nature’ and Glasgow-based artist Sarah Forrest’s short film, Again, it objects.
One of Scotland’s key commercial galleries for contemporary art marks its 20th year with a new home in a former Glasite Meeting House in the city. Jessica Ramm reports.
Laura Davidson, one of eight a-n members selected for the a-n Writer Development Programme, reviews two Glasgow International exhibitions that foreground the importance of marginalised histories in our current discussions about race, class and gender.
The 80-year-old Spanish artist Esther Ferrer presented two performances during this year’s Glasgow International. Artist and writer Jessica Ramm, one of eight a-n members selected for the a-n Writer Development Programme 2017-18, was at The Pearce Institute in Govan for the MINIMAL/POOR/PRESENT event.
With nearly 100 exhibitions and featuring more than 250 artists, the eighth Glasgow International festival, which continues until 7 May, is a bustlingly busy affair taking place in venues across Scotland’s largest city. To help you navigate it, seven writers on the a-n Writer Development Programme 2017-18 offer their recommendations following an intense and varied opening weekend.
As he prepares for his Glasgow International solo show at Kelvin Hall, Jessica Ramm – who is also exhibiting during GI – talks to the Glasgow-based artist about authority, control and power, and how his work offsets some of the grandeur of the city’s colonial past.
Richard Parry was appointed director of the biennial Glasgow International festival in May last year, following a move from Blackpool where he was director/curator at the Grundy Gallery. Chris Sharratt talks to him about the artistic rhythm of Glasgow’s rich and vibrant art scene, and his approach to curating the festival, which is now in its eighth edition.
This week’s selection of recommended shows includes: new works by Karen Cunningham in Dumfriesshire, Damien Meade’s paintings based on clay maquettes in London, William Copley’s mail art project in Sheffield, and Jenny Saville’s portraits in Edinburgh.
The Barbadian artist, researcher and educator will receive £10,000 in prize money to create a specially commissioned film for next year’s Glasgow Film Festival.
Venue:The Meffan Museum & Art Gallery
From:March 03, 2018
To:April 07, 2018
The volunteer-run gallery, which opened in its current space in Glasgow’s east end two years ago, is to close in May following its Glasgow International exhibition.
News briefing with national and international stories, including: Glasgow International announces further details of its 2018 programme, UK screen industries devise eight rules to tackle harassment, new chair of Creative Scotland board appointed, plus winners of the 2018 Hearts For The Arts Awards.
The committee of the artist-run Glasgow gallery, which last week was dropped from Creative Scotland’s portfolio of regularly funded organisations, has issued a strongly-worded statement lambasting the decision.
Artists and visual art professionals have been expressing their shock and concern over Creative Scotland’s decision to cease its regular funding of Transmission, the artist-run Glasgow gallery that has had key role in the city’s contemporary art scene since 1983.
Creative Scotland has announced the recipients of regular funding for the 2018-21 period, with some big names leaving the portfolio and some new additions including Stills Gallery and the Scottish Contemporary Art Network.
I am half way through my PhD first year in the music department at the University of Aberdeen. Over this time I have focused on my thesis topic, re-focused on my thesis topic and changed my topic! I have started […]
The director of the Glasgow-based art organisation, which in 2017 celebrated its 10th year, reflects on the achievement of survival in the current funding climate while bemoaning the car crash of contemporary British politics.
News briefing with national and international stories, including: Iran opens its first museum dedicated to a solo female artist; New York’s Jewish Museum ends its relationship with curator Jens Hoffman.
The Scottish government’s draft budget for 2018/19 has allayed fears of significant funding cuts across Creative Scotland’s regularly funded organisations.
Adding events and opportunities to attend or visit, focusing on craft in Scotland. Trying to group together things that are either similar to the work I do or what I aspire to. Dark, macabre, Gothic, rebellious, large body adornment/jewellery/accessories/clothing. https://daughterofmercury.wixsite.com/metal […]