Part of the Paying Artists research portfolio, Sarah Thelwall’s report explores how public sector galleries can think differently about budgets for artists’ fees.
Research - Page 3 of 11 - a-n The Artists Information Company
Susan Jones’ analysis and commentary uses data drawn from a-n.co.uk/jobs to track current trends in artists’ employment opportunities.
Fundamentally questions the Arts Council’s stewardship of the National Lottery funds, which are provided for different purposes and for far wider public benefit than ACE’s Treasury grant.
This report – the sixth in the Paying Artists research portfolio – draws together examples of how artists’ fees for exhibiting are arrived at in Sweden, Norway, Canada and Poland; and the conditions and contexts that underpin their application.
Provides a historical context within the Paying Artists campaign of the Payment to Artists for Exhibition of Work scheme implemented by the Arts Council of Great Britain in 1979.
Provocation urging all those working with arts and culture to rethink their contribution to a vision of sustainable development that benefits the whole of society.
A short paper that briefly reviews some of the existing literature that has been referenced or has provided useful context and comparison for the Paying Artists study.
A collation of material shared across social media and peer networks during 2013-14 that provides insights around the broad topic of payment of and working conditions for freelance arts professionals. The report complements the more traditional Literature review produced for the Paying Artists campaign by DHA Communications.
As part of its programme, Artworks Navigator developed this bibliography to identify and present a range of available resources for artists working in participatory settings.
A summary of the key learning from four Artists Labs run between August 2012 and January 2013 by the Navigator pathfinder as part of ArtWorks.
Susan Jones introduces a collation of key documents and evidence that informed a-n’s publication of fees and payments guidance and good practice documents in 2003-04. The report aims to widen understanding of the history of, and prior good practice thinking around, payment to artists.
Second phase of a-n/AIR-commissioned research, exploring artists’ and venues’ experiences of exhibiting in publicly-funded venues. Phase 2 findings build on data from Phase 1 and are based on interviews conducted with artists and venues.
a-n/AIR-commissioned research exploring artists’ experiences of exhibiting in publicly-funded galleries. Phase 1 is based on an online survey exploring artists’ experiences of exhibition practice.
Examines design industry’s perceptions of young people, their suitability for work and the neccessary skills and abilities needed to thrive within the sector.
The visual arts organisations the Arts Council selected for funding as National Portfolio Organisations 2011-15
Independently researched and evidence based report addressing the balance of arts funding between London and the rest of England.
Final report on LARC’s Thrive programme which tested a new model for embedding the arts and cultural sectors in the processes of social and economic renewal.
Executive summary of the headline findings of research into arts subjects at Key Stage 4, commissioned by Creative & Cultural Skills.
Very interesting essay by Robert Hewison and John Holden on ten years of the Clore Leadership Programme, and how it might focus itself in the future.
An analysis of openly-advertised artists’ work and opportunities in 2012. Includes commentary on the impact of Universal Credits on low-paid artists.
How do artists fare when they show work in publicly-funded galleries in the UK? A one-page infographic shows statistical information about artists’ income from exhibiting and the support they receive. Research led by AIR as the first stage in the Paying Artists campaign.
Evaluation of the pilot year of The Space, a joint three year venture between Arts Council England and the BBC.
Summarises key findings from the Institute of Cultural Capital evaluation of the London 2012 Cultural Olympiad.
Response to first speech by Maria Miller, Secretary of State for Culture, Media and Sport.