Arts Funding - a-n The Artists Information Company

1 Shanthi Road, Bangalore, artist residency space. L-R: Maurice Carlin, Clore Fellow; Suresh Jayaram, artist and founder-director 1 Shanthi Road; Jerrel Jackson, Clore Fellow; Archana Prasad, Clore Fellow and founder of Jaaga.  Courtesy: Maurice Carlin
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Platforms for change: what do artists really want from arts organisations?

The UK has the most highly developed arts infrastructure in the world. But, asks 2016-17 Clore Visual Artist Fellow Maurice Carlin in the first of two short provocations, imagine if it all disappeared overnight. Would it make a difference to your career? Would you still make art? And what do we want this infrastructure to do?

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New Art Exchange. Photo: Vika Nightingale
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ACE NPOs: visual arts organisations 2018-22

Following Tuesday’s NPO announcement by Arts Council England, we’ve been looking at the figures to get a clearer picture of who’s gained and lost the most, which organisations receive the most funding, and which artist-led organisations have joined the portfolio.

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a-n Crowdfunding for the arts workshop – at FYCreatives Blackpool, November 2016, led by Hen Norton. Organised in partnership with LeftCoast. Courtesy: Hen Norton
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Funding your work: crowdfunding and patronage platforms

Hen Norton explores the use of fundraising platforms online and offers her top ten tips to help you build a sustainable creative business or project, and reach a wider and more engaged network of supporters through crowdfunding. 

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Rosalie Schweiker at  ‘Art is not a Commodity: Examining Economic Exceptionalism in Art’, ICA, London, 18 February 2017. Photo: Marysia Lewandowska. CC by 4.0
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No more fake orgasms: stop boosting the art world’s self-esteem

At the recent symposium, ‘Art is not a Commodity: Examining Economic Exceptionalism in Art’, Rosalie Schweiker argued that artists need to “stop faking orgasms” and instead start clearly vocalising their dissatisfaction with the art world. Here, we publish an edited version of her presentation.

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Pietro Lorenzetti, Christ between Saints Paul and Peter (c.1320), installation view, Ferens Art Gallery, Hull
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Saints preserve us: Ferens Art Gallery and why culture should be funded as an asset, not a burden

Ferens Art Gallery in Hull has reopened after a £5.2 million refurbishment largely funded by Hull City Council. But while the local authority should be commended for its commitment to culture, Sheila McGregor argues that the blame for council cuts in towns and cities across the UK needs to be forcefully directed at Westminster politicians rather than hapless local representatives.

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Jenni Lomax. Photo: Hugo Glendinning
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A Q&A with… Jenni Lomax, outgoing director of Camden Arts Centre

Jenni Lomax announced late last year that she is stepping down from her role at Camden Arts Centre, a position she has held for 26 years. Fisun Güner talks to the much admired director about working with artists, the importance of education in the gallery’s programme, and what she will do next.

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