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Calls for public inquiry as residents and businesses are still unable to enter Glasgow School of Art exclusion zone

In Brief: news briefing featuring national and international stories including: British Museum returns looted artifacts to Iraq, Palestinian cultural centre destroyed in airstrikes, Egyptian curators denied UK visas to attend conference entitled ‘Breaking Barriers’, and women in the arts in Argentina protest rejection of Senate bill to legalise abortion.

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Winners of inaugural ‘Write on Art’ prize announced; Ai Weiwei’s Beijing studio destroyed by Chinese authorities

In Brief: news briefing featuring national and international stories including: Employees at the Museum of Modern Art, New York, demonstrate over contract dispute; grants to individual artists down as National Portfolio Organisations receive three-quarters of Arts Council England’s Lottery grant expenditure; and Bristol-based film culture and digital media centre Watershed announces changes to leadership roles.

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Artists and mental health: a conversation that needs to get louder

When artist and writer Alistair Gentry first shared his experiences of depression earlier this year it resulted in a flood of private feedback and led a-n to commission a series on artists and mental health for our Resources section. Drawing on the conversations he’s had with artists and arts workers, he argues for more openness about mental illness and wellness in the arts.

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A Q&A with… Matthew Krishanu, painter

The Bradford-born artist’s current exhibition ‘The Sun Never Sets’ at Huddersfield Art Gallery draws on his childhood memories of living in Bangladesh while also exploring the impact and legacy of colonialism. Fellow painter Narbi Price asks the questions.

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Independents Biennial 2018: giving artists what they want

Running parallel to the Liverpool Biennial since its inception in 1999, the peer-led Independents Biennial is currently managed by Art In Liverpool, and aims to cast a fresh perspective on how we see, make and use art in Merseyside. Laura Robertson reflects on how the 2018 festival is highlighting local and national political issues such as regeneration and homelessness.

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Blogger Q&A: Katarzyna Perlak, artist queering folk tradition

Katarzyna Perlak is this month’s featured artist on a-n’s Instagram. Her practice uses archival research and her own experience to apply queer and feminist readings to Eastern European history and tradition. Richard Taylor speaks to Perlak about her video and collage works.

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More mince, less sausage: making art that doesn’t look like art

At the recent Jamboree 2018 event on the Dartington Estate in Devon, the London-based German artist Rosalie Schweiker presented an improvised slide show about the difference between being a conventional ‘sausage’ artist and a hard to pigeonhole ‘mince’ artist. Here she turns that talk into a short explanation of her thinking – with added drawings of sausages, mince, and mince-based products.

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27 educators seek recognition as employees rather than freelancers from National Gallery following alleged sacking

In Brief news briefing featuring national and international stories including: Stolen Robert Motherwell painting returned to the Dedalus Foundation after 40 years; Pussy Riot invade pitch during World Cup final in Russia as political protest; and museum planned at Thai cave where 12 boys were rescued. Plus, 2019 Venice Biennale theme revealed.

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Seven things that Jamboree 2018 taught us, including the difference between ‘Mince’ and ‘Sausage’ artists

Taking place on the idyllic Dartington Estate in Devon the a-n-supported Jamboree 2018 brought together 150 artists, curators and programmers from across the UK for lively discussion and the exchange of ideas. Hannah Pierce, a-n’s external programmes and partnerships manager, shares the key things she learnt from the event’s four days.

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Inventory of Behaviours: finding value in the things artists do when not making artworks

Following a call-out asking artists to submit their ‘preparations, patterns, neuroses, speculations, and procrastinations that surround the production of art in the studio’, the four-day Inventory of Behaviours event at Tate Modern saw these submissions turned into instructions that were carried out by volunteer artists, students and members of the public. Trevor H. Smith explores the value of the transitional space between not making and making art.

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