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There have been some fantastic artists’ books published this year and Sarah Bodman at UWE Bristol’s Centre for Fine Print Research has read most of them. Here she picks ten of her favourites.

This year’s engage International Conference in Glasgow focused on young people working with art and artists, with a remit to explore the gallery as a school, the importance of cross-disciplinary engagement, and the ethics of peer-led practice. But, as Moira Jeffrey reports, much of the lively and challenging discussion was wide-ranging and off script.

As the Creative Time Summit NYC takes place this weekend at the Boys and Girls High School in Brooklyn, Nato Thompson speaks to Pippa Koszerek about the summit, his new book Seeing Power and how art can impact social change.

The inaugural Plymouth Art Weekender presents work across the city by over 400 local, national and international artists. Artist and AIR Council member Steven Paige welcomes this audacious new festival and looks at how the city’s visual art ecology has developed in the five years since British Art Show 7.

The inaugural North festival of contemporary art opens in Warrington in October with a series of city pavilions and an exhibition that invites artists’ responses to Ikea. Laura Robertson speaks to some of the artists involved and the London-based gallerist behind the event.

Last year, artist and curator Emma Sumner took a research trip to India which saw her visit an extensive network of organisations at the heart of this vast country’s contemporary art scene. Here she highlights three of them and explores what can be learnt from their approach to art and funding.

As part of his 18-month Chisenhale Gallery Create Residency, artist Yuri Pattison has been looking at the world of tech start ups, hack spaces and peer-to-peer sharing. Prior to the launch of a new website and series of digital sculptures, Michaela Nettell met him to discuss transparency, data and what contemporary art can learn from the networked society.

A recent symposium in Swansea, organised by Q-Art, brought together speakers from across the UK to explore the impact of location on art education and the art school. Rory Duckhouse reports.

As the degree shows season draws to a close, we republish the last of three interviews with art professionals from the 50-page a-n Degree Shows Guide 2015. Here, Louise Hutchinson, director of S1 Artspace in Sheffield, talks about how to present work and the tyranny of the student business card.

Originally published in this year’s a-n Degree Shows Guide, Steven Bode, director of Film and Video Umbrella, discusses the challenges faced by moving image work at degree shows.

Just because you’re not officially in the Venice Biennale doesn’t mean you can’t be part of the frenzy of activity taking place across the city. Pippa Koszerek highlights some of the alternative and artist-led events taking place during and beyond the Biennale’s three-day preview.

In the lead up to artist-led Transition Gallery’s latest exhibition, which features works by six recent British School at Rome residency holders, we speak to artist and curator Cathy Lomax about her reasons for reconnecting with fellow residency holders, and to Archie Franks and Ursula Burke about the impact the residencies had on their practice.

The artist Gordon Shrigley is running in the general election on a no-policies ticket. In a piece originally published on The Conversation, Lois Rowe speaks to him and declares herself unconvinced by his campaign tactics.

For her new, multi-channel video installation, Melanie Manchot has connected remembered moments from the lives of 12 people in recent recovery from drug and alcohol misuse. Michaela Nettell talks to the artist about the making and showing of the work.

Artist-led gallery and studio space The Royal Standard is hosting a quick-fire series of exhibitions by 26 studio members over three weeks. Laura Robertson reports on an exciting opportunity for artists in Liverpool.

Our series looking at Digital R&D Fund visual arts initiatives continues with NetPark, a project instigated by Metal in Southend-on-Sea and produced by artist and curator Simon Poulter.

Open exhibitions are becoming an increasingly common aspect of the visual arts landscape, with high-profile big hitters such as the BP Portrait Award and Royal Academy Summer Show joined by a growing number of smaller-scale shows. But with most charging an entry fee and with no guarantee of being included, are artists simply being asked to subsidise the sector with their own money? Jack Hutchinson investigates.

Founded in 1994, the Paul Hamlyn Foundation Awards for Artists programme has helped some of the UK’s best-known visual artists with no-strings-attached financial support at crucial points in their careers. On the eve of the announcement of this year’s awards, Chris Sharratt talks to the foundation’s head of arts and to 2012 recipient Ed Atkins.

The fourth b-side multimedia festival is set entirely on the Isle of Portland, Dorset, creating site-specific work that includes performance, installation and film work. Dany Louise talks to the director of this distinctive and nuanced ten-day event.

This year’s Liverpool Biennial is the first that director Sally Tallant can really call her own, having arrived in Liverpool only a few months before the 2012 festival. Now with a new, earlier July start date and a refreshed approach, Laura Robertson finds out what has changed at the UK’s biennial of contemporary art.

As cuts continue to bite, arts organisations are plugging the funding gap by replacing paid staff – such as gallery invigilators – with unpaid volunteers. We look at three galleries in Liverpool and Bristol that have done just that, and assess what this growing trend could mean for both individual artists and the UK’s arts ecology.

The sixth edition of Glasgow International, the biennial festival of contemporary art in Scotland’s biggest city, is the first with new director Sarah McCrory at the helm. On the eve of its public launch, she explains why both laughter and tears are important in art.

From its base in rural Cambridgeshire, Wysing Arts Centre has been supporting artists to make new work for the past 25 years. We hear from artistic director Donna Lynas, and artists Emma Smith and Seb Patane, about the future aims of the organisation and how the its well-regarded residency programme fosters creative relationships.

Working internationally is key to the development of many artists’ practice, but without gallery representation the hurdles are considerable. With the 55th Venice Biennale soon to open, we speak to three artists – including one showing in Venice – about the challenges of working abroad without a gallery, and also get the views of an independent curator.

The venerable London Art Fair is playing host to some interesting interventions in its Art Projects strand, enabling unrepresented artists to get a piece of the art fair action. We look at some of the methodologies being employed and test the temperature of the art market in 2013.