An Exhibition by ACAVA Studios: Artist in Residence Nicola Winstanley
Reviews - Page 6 of 94 - a-n The Artists Information Company
A major retrospective of sculptor Tony Cragg
Flotsam and Jetsam by Peter Symonds is a show of questioning. It asks us some fundamental questions about the nature of painting, the role of spatial depth and illusion, alongside the parameters of its production – stretcher, canvas, edge, […]
Review on current exhibition at Centrespace Gallery in Bristol. 4th – 15th February 2017.
40 women artists in a show inspired by textiles, but about much more
Exhibition featuring the work of Clare Rojas and a musical performance by the artist under the guise of Peggy Honeywell.
Time we reconsidered work by this artist, whose loose style captures real life
Selected and curated by Kenton Lowe and Tom Penney of Blackshed Gallery in Robertsbridge the Sevenoaks Visual Arts Forum Open is an eclectic and inclusive show, mounted from of a` broad range of content, technique and materials. Julian Rowe’s prosaically […]
29 July to 6 August 2016 The Monmouthshire and District National Eisteddfod of Wales took place in Castle Meadows in Abergavenny featuring poetry, dance, song music, theatre, literature and art.
A Personal Reflection on the recent London Groups Open Presidents Prize Exhibition www.thelondongroup.com
A rich show curated by Simon Lee Dicker with artists Jo Ball, Andy Parker and Simon Whetham
Three adjacent shows on a shifting trajectory from representation to abstraction
If ‘Art is personality’ as Lin Yutang suggests in his book the Importance of Living then the work by Dick Whall hanging in the Rumbelow Gallery, Great Yarmouth is an example of a multi layered personality accessed easily from […]
An exhibition exploring the landscape from Yorkshire to Cornwall.
a festival of contemporary & performance art from the UK and beyond.
A fresh mix of artists of complimentary styles returns for the fifth showing in Monmouth from sculpture, to fresco, wood engraving (don’t miss the browsers!) to small, evocative landscapes and abstracted forms.
Drawings on the glass walls that enclose the theatre by G Sian titled Sanskriti Graffiti
London-based painter Matthew Krishanu received an a-n Critical Writing Bursary to review the John Moores Painting Prize show in Liverpool.
As the most recognised painting prize in the UK since its inception in 1957, the John Moores Painting Prize acts as a review of contemporary painting, presenting a survey of dominant themes explored by the medium.
The biggest British survey of artist use of neon from the 1960’s to present day
Delicious Edge is the 2016 MA degree show for Teesside University. It is located in the Athena and Constantine buildings of Teesside University September 14- 25. For more information please contact: [email protected]
‘Striations, digging machines, blades – both depicted and the tools used to make the work – slashes, slices, gouges, and dissections, how could we not call this exhibition DiG?! Extract from Exhibition introductory statement, by Jane Boyer
‘The passing clouds of an Irish day infiltrate French night, establishing a link between two moments of time and place, illustrating the fragility of chance and the subjective nature of reality’
an exhibition of screenprints, digital films, and wall-based text works by artist Amelia Crouch.
Perpetuating Myths Once upon a time, beyond seven mountains, beyond seven forests, a black swan came to the town of Corby. The swan was nearly four metres high and looked out on to the boating lake in Thoroughsale Wood. The […]