Selected and curated by Kenton Lowe and Tom Penney of Blackshed Gallery in Robertsbridge the Sevenoaks Visual Arts Forum Open is an eclectic and inclusive show, mounted from of a` broad range of content, technique and materials. Julian Rowe’s prosaically […]
Reviews - Page 6 of 94 - a-n The Artists Information Company
29 July to 6 August 2016 The Monmouthshire and District National Eisteddfod of Wales took place in Castle Meadows in Abergavenny featuring poetry, dance, song music, theatre, literature and art.
A Personal Reflection on the recent London Groups Open Presidents Prize Exhibition www.thelondongroup.com
A rich show curated by Simon Lee Dicker with artists Jo Ball, Andy Parker and Simon Whetham
Three adjacent shows on a shifting trajectory from representation to abstraction
If ‘Art is personality’ as Lin Yutang suggests in his book the Importance of Living then the work by Dick Whall hanging in the Rumbelow Gallery, Great Yarmouth is an example of a multi layered personality accessed easily from […]
An exhibition exploring the landscape from Yorkshire to Cornwall.
a festival of contemporary & performance art from the UK and beyond.
A fresh mix of artists of complimentary styles returns for the fifth showing in Monmouth from sculpture, to fresco, wood engraving (don’t miss the browsers!) to small, evocative landscapes and abstracted forms.
Drawings on the glass walls that enclose the theatre by G Sian titled Sanskriti Graffiti
London-based painter Matthew Krishanu received an a-n Critical Writing Bursary to review the John Moores Painting Prize show in Liverpool.
As the most recognised painting prize in the UK since its inception in 1957, the John Moores Painting Prize acts as a review of contemporary painting, presenting a survey of dominant themes explored by the medium.
The biggest British survey of artist use of neon from the 1960’s to present day
Delicious Edge is the 2016 MA degree show for Teesside University. It is located in the Athena and Constantine buildings of Teesside University September 14- 25. For more information please contact: [email protected]
‘Striations, digging machines, blades – both depicted and the tools used to make the work – slashes, slices, gouges, and dissections, how could we not call this exhibition DiG?! Extract from Exhibition introductory statement, by Jane Boyer
‘The passing clouds of an Irish day infiltrate French night, establishing a link between two moments of time and place, illustrating the fragility of chance and the subjective nature of reality’
an exhibition of screenprints, digital films, and wall-based text works by artist Amelia Crouch.
Perpetuating Myths Once upon a time, beyond seven mountains, beyond seven forests, a black swan came to the town of Corby. The swan was nearly four metres high and looked out on to the boating lake in Thoroughsale Wood. The […]
A first glance response to several exhibitions visited in London
Hosted by Auxiliary (Run by Liam Slevin and Anna Byrne) Bring Your Own Beamer is a one night mad medley of sound and visuals. Situated in a house/semi-converted gallery/living space, featuring a host of local and international artists.
A group of artists respond to the theme ‘The Human Condition’. Garry Barker, Leeds College of Art and Design, writes a review.
Installation and drawings on enamel by Julia Griffiths Jones
July 8th, 2016 – July 31st, 2016
notes on Conversation Piece by Tom Hackett
The effect of the exhibition is to bring the immediate landscape into the mill and reinstate the importance of the landscape to the mill and the local industry.