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Blog Post

Research Reflections #1

I am half way through my PhD first year in the music department at the University of Aberdeen. Over this time I have focused on my thesis topic, re-focused on my thesis topic and changed my topic! I have started […]

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Collection

Opps/ Things to check out/ Scotland

Adding events and opportunities to attend or visit, focusing on craft in Scotland. Trying to group together things that  are either similar to the work I do or what I aspire to. Dark, macabre, Gothic, rebellious, large body adornment/jewellery/accessories/clothing. https://daughterofmercury.wixsite.com/metal […]

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News News story

Tendency Towards: new artist-run initiative for Aberdeen

Alongside the launch of its first curated programme, this week Tendency Towards opens its inaugural exhibition – an interdisciplinary showcase of graduate artists from four Scottish art schools. Richard Taylor finds out more about this new artist-run initiative in Scotland’s ‘Granite City’.

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Blog Post

The Moors

Much of my recent art has been about the graffiti, shadows, reflections and gritty periphery side of urban areas and cities. It is also about how all these aspects blend with the corners of my thoughts – both conscious and […]

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News News comment

Ugly rumours: why Edinburgh’s Inverleith House has yet to be ‘saved’

When Inverleith House closed to the public last year, Royal Botanic Garden Edinburgh said it no longer intended to use it as a gallery for contemporary art. Now, as it hosts its first exhibition since the closure, Regius Keeper Simon Milne has said reports of its demise were just a “rumour”. Neil Cooper takes issue with this rewriting of history and cautions that the fight to truly save this renowned Scottish art gallery is far from over.

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News News feature

Free Market thinking: arts, organising and alternatives to neoliberalism

Market Gallery’s recent Free Market symposium – supported by an a-n Artist Led Bursary – brought together thinkers and doers to discuss issues around ‘cultural resources in crisis’ and was in part informed by the Glasgow gallery’s own precarious situation. Chris Sharratt reports on three days of thinking beyond the usual.

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