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Collection plate duly delivered to the gallery this morning. I am away for the private view which is a shame. I spent ages choosing the objects to go in the plate. I realised afterwards why. In my proposal I stated that I would offer brown and silver coins and some ‘pocket objects’ [such as hairpins, buttons, trolley tokens etc.] They made a very low key, sad collection and I felt moved to add some colour with some sea glass and bright beads.

I realise now that I had begun to make an ‘art object’; one that satisfied my eye and that I thought would intrigue visitors. It was beginning to move subtly away from the purity of the proposal. Did it matter? I decided to go with the colour and intrigue and photographed the objects I had chosen.

In the gallery the curator and I tried the installation out. The plate stands on a white ecumenical linen and lace cloth on a modern table. Looks good I think.

Visitors are instructed that they may swop items in the plate for anything they have in their pockets or bag.

It will be three weeks before I can get back to see the ‘collection’ again. I am really dying to see what it will be by then. Will the money have been taken or swopped for lesser coins? Will all the ‘things’ have been ‘paid’ for? Maybe everything will be gone.

This afternoon I collected some old monoprints from my studio. Odd to see them again. I don’t think they have seen the light for five years. I have an idea to cut up tiny old maps of Margate and collage them together. I need work for a show in the Pie Factory with thirteen others. We are showing our collaborative artist’s books but we also have a huge space for our own work to fill. Problem. Most are printmakers and I am not – just an occasional monoprinter, so mine are all one-offs and my practice is very slow.

All the same, now they are here I just want to get on with them. I think they could be wonderful – which probably means they will be rubbish. They will have to wait until I get back.