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Our Scene Report series continues with a visit to Dumfries, home to the artist-led Stove Network and a lively visual arts scene with a strong focus on community and participation. Martin Joseph O’Neill reports.

Known for her detailed sculptural works that combine everyday objects and materials with meticulously applied precious stones, metals or fine embroidery, Susan Collis is interested in making us consider the real value of what we might at first think is mundane and ordinary. Anneka French talks to the artist about her major new solo show at Touchstones Gallery, Rochdale.

Arts Council England’s National Portfolio for 2018-22 includes an overall increase in the number of visual arts organisations receiving funding from 121 to 149. We highlight six organisations who will be joining the portfolio and find out what their new status will mean to them.

Keith Piper’s exhibition at New Art Exchange, ‘Unearthing the Banker’s Bones’, explores the idea of what our society’s relics might look like from a future perspective. The founder member of the BLK Art Group talks to Wayne Burrows about the themes contained within the work and the continued importance of political and social questions to his practice.

As a member of Artangel’s production team, Laura Purseglove is used to site-specific working and navigating the complexities of staging art projects in historic buildings. All of which will be useful experience for her role at ACE Trust, where over the next two years she will be developing a programme of exhibitions and commissions for churches and cathedrals throughout the UK. Pippa Koszerek finds out more.

Prior to its relocation to a new space, Peckham Platform gallery is celebrating its work since launching in 2010 with a retrospective show featuring its 20 artist commissions to date, all co-created with local people in the south-east London neighbourhood. Lydia Ashman reports.

‘The Last Editions’ is the final chance to celebrate the work of The Multiple Store and to buy one of the high-quality editions it has been commissioning since 1998 by artists including Turner Prize nominees and winners. Co-founder Nicholas Sharp talks about his reasons for starting the project, and why it’s now time to wrap things up.

As a-n/AIR’s Paying Artists campaign prepares for the launch of its Exhibition Payment guide on Wednesday 12 October 2016, we take a look at some of the key moments in the campaign’s history, highlighting the rich and varied dialogue with artists and the wider visual arts sector that has informed its recommendations.

Edinburgh Art Festival’s Platform exhibition provides early career artists the opportunity to develop and show work at this high-profile annual festival. Richard Taylor talks with one of this year’s artists whose intriguing commissioned work was built in the Scottish Highlands and fine-tuned through collaboration during residencies in Abroath and Holland.

The latest exhibition from Scottish artist Jenny Steele is the result of her research into 1930s Seaside Moderne architecture in North West England and Scotland.

The outspoken artist and performer Liv Wynter is undertaking a residency at the artist-run Royal Standard titled HOW MUCH ARE THEY PAYING YOU? to coincide with this year’s Bloomberg New Contemporaries at Liverpool Biennial. Laura Robertson speaks to her about activism, artists getting paid, and remembering Ana Mendieta.

With International Women’s Day 2016 on Tuesday 8 March, we highlight a selection of exhibitions and events by women taking place across the UK.

Out There: Our Post-War Public Art focuses on the period 1945-85 including 1972’s City Sculpture Project, which saw artworks temporarily sited in eight cities across the UK. After attending an event featuring Sculpture Project artists Garth Evans and Liliane Lijn, a-n Writer Development Programme participant James Steventon considers the notion of ‘shelf life’ in public art.

Juneau Projects’ new song responds to the history of a former timber yard and the redevelopment of the riverside area with a constructed pilgrimage for the audience.

Jerwood Visual Arts commences its 10th anniversary year with an exhibition that explores how copyright legislation impacts on the work artists make. Pippa Koszerek speaks to Common Property curator Hannah Pierce and two of the commissioned artists, Owen G. Parry and Antonio Roberts.

What does 2016 have in store in terms of conferences and events, exhibitions, art fairs and festivals? We take a month-by-month look at what the year has to offer – and we’ll be adding new events for later in the year as they’re confirmed.

In the latest in our series of picture-focused articles we take a look at the Radcliffe Infirmary Commemorative Commission, featuring artists Simon Periton, Antoni Malinowski and Daniel Silver.

A group exhibition of newly-commissioned photography has opened at Jerwood Space London, enabled by the inaugural Jerwood/Photoworks Awards. Tim Clark speaks to Photoworks director, Celia Davies, about the impetus for setting up this joint programme and what the various bodies of work might reveal about the new generation of practitioners.

Mexican artist Abraham Cruzvillegas has produced the inaugural Hyundai Commission for Tate Modern’s Turbine Hall, unveiled this week. Here, Richard Taylor finds out more about his ‘Autoconstrucción’ approach to art, following up on themes discussed by Cruzvillegas at a recent ‘in conversation’ event in Glasgow.

As the art world descends on London for the 13th Frieze Art Fair, we take a snapshot of art fair activity happening across the capital this week.

British Art Show 8 opens in Leeds on Friday 9 October and the city – currently bidding to be European Capital of Culture 2023 – is responding with a raft of additional activity. Leeds-based writers and artists Amelia Crouch and Lara Eggleton report on what the city’s homegrown and artist-led organisations are up to as Leeds City Council throws its support behind a showcase of the city’s buoyant visual arts scene.

The inaugural Plymouth Art Weekender presents work across the city by over 400 local, national and international artists. Artist and AIR Council member Steven Paige welcomes this audacious new festival and looks at how the city’s visual art ecology has developed in the five years since British Art Show 7.

For the Coastal Currents festival, Tod Hanson has created a site-specific work that covers the entire floor of the historic Durbar Hall in the Hastings Museum and Art Gallery. Dany Louise finds out about his process, inspiration and influences.

In her latest short film, Marianna Simnett – one of two filmmakers selected for the 2014-15 Jerwood/FVU Awards – focuses on a surgical procedure and ‘biobot’ cockroaches. Chris Sharratt overcomes his squeamishness to ask some questions about her work.