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Tania Bruguera’s community-led response to the global migration crisis launches at Tate Modern’s Turbine Hall

In Brief: news briefing featuring national and international stories including: Rio museum destroyed by fire opens temporary exhibitions’ space, Talbot Rice in Edinburgh announces artists to take part in its inaugural Residents Programme, plus Mayor of London Sadiq Khan launches major public art project highlighting overlooked women from London’s history.

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Pivotal moments for ‘mid-career’ artists: “We’re reaching a bit of a crisis moment – who are we doing this all for?”

At the conference ‘Pivotal Moments: Professional Development Models for Mid-Career Artists’, staged by London Creative Network (LCN) in association with a-n, participants including artists Keith Piper and Erica Scourti, and Wysing director Donna Lynas discussed career development and the importance of institutional support for artists. Lydia Ashman reports.

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DACS annual review reveals 38,000 artists and estates received £15m in royalties; prepare for ‘catastrophic’ Brexit warns Creative Industries Federation

In Brief: news briefing featuring national and international stories including: the National Portrait Gallery says drop in visitor figures due to counting error; Henry Moore sketch found amongst collection of Nazi-looted art; and 2,000-year-old city of Palmyra to be restored after destruction by the Islamic State.

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Blogger Q&A: Jeremy Hastings, peripatetic artist

From community projects to land work, Jeremy Hastings has used his many travels and itinerant lifestyle to share skills and learn from landscapes to create painting and photography. Richard Taylor finds out more.

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Seven things that Jamboree 2018 taught us, including the difference between ‘Mince’ and ‘Sausage’ artists

Taking place on the idyllic Dartington Estate in Devon the a-n-supported Jamboree 2018 brought together 150 artists, curators and programmers from across the UK for lively discussion and the exchange of ideas. Hannah Pierce, a-n’s external programmes and partnerships manager, shares the key things she learnt from the event’s four days.

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In Kind and out of pocket: the hidden costs of artists working for free

During this year’s Glasgow International, artists Ailie Rutherford and Janie Nicoll presented In Kind, an action research project using the festival as a case study in order to chart the “hidden economies of the visual arts”. Fellow Glasgow-based artist Jessica Ramm finds out what they discovered and ponders where to go next.

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International Report: Printemps De L’Art Contemporain 2018 festival, Marseille

The 10th edition of the annual Printemps De L’Art Contemporain festival in Marseille coordinates exhibitions by more than 45 venues across France’s second city and includes a strand on artists from Glasgow, with which the city is twinned. Chris Sharratt reports from the port city that is prioritising contemporary art as it prepares to host Manifesta in two years time.

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Glasgow International 2018: recommended shows and works from across the festival

With nearly 100 exhibitions and featuring more than 250 artists, the eighth Glasgow International festival, which continues until 7 May, is a bustlingly busy affair taking place in venues across Scotland’s largest city. To help you navigate it, seven writers on the a-n Writer Development Programme 2017-18 offer their recommendations following an intense and varied opening weekend.

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A Q&A with… Joe Hill, Towner Art Gallery’s new director

The former director of Southend-on-Sea’s Focal Point Gallery takes up his new role in Eastbourne at a difficult time for the gallery, as local council cuts mean a 50% reduction in funding over the next four years. Judith Alder finds him relishing the challenges ahead, and with a focus on opportunities for the gallery to play a more central role in the life of the East Sussex town.

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The art of incarceration: representation and rehabilitation in UK prisons

With reference to Edmund Clark’s current Ikon Gallery exhibition ‘In Place of Hate’ – the result of three years as artist in residence at the therapeutic prison HMP Grendon – a recent symposium in Birmingham explored the role of art and its use as a rehabilitative tool. After a day of talks and presentations, Carrie Foulkes finds her belief in socially-engaged practice reaffirmed.

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