In Brief: News briefing featuring national and international stories including: Nan Goldin and P.A.I.N. Sackler protest the Opioid Crisis; Edmund de Waal to make architectural intervention at the Schindler House; Graphic novel nominated for Man Booker Prize for the first time.
Running parallel to the Liverpool Biennial since its inception in 1999, the peer-led Independents Biennial is currently managed by Art In Liverpool, and aims to cast a fresh perspective on how we see, make and use art in Merseyside. Laura Robertson reflects on how the 2018 festival is highlighting local and national political issues such as regeneration and homelessness.
a-n launched its current series of UK-wide one-day Assembly events at Paradise Works, Salford with a packed day of discussion that included presentations exploring how to create and sustain a building-based artist-led organisation. Writer and curator Tom Emery reports.
News briefing with national and international stories, including: Museum directors condemn removal of CAPC Bordeaux Director María Inés Rodríguez, Sunderland’s Northern Gallery for Contemporary Art to reopen after 18-month closure, and Anish Kapoor criticises National Rifle Association in open letter.
News briefing with national and international stories, including: Paul Hamlyn Foundation awards five-year core funding to two arts development organisations, Edinburgh City Council to reopen museums seven days a week and Creative Scotland’s Open Project Fund awards £830,000 to support cultural activity across Scotland.
Arts Council Chair Sir Nicholas Serota will lead a team of 17 creative industry leaders to research the role that ‘creative thinking’ should play within education policy. Arts Professional’s Christy Romer reports.
For the latest in our ongoing Scene Report series focusing on the visual arts ecology of towns, cities and regions across the UK, artist and writer Wayne Burrows reports from the East Midlands.
News briefing with national and international stories, including: Not Surprised call for boycott of Artforum over handling of Knight Landesman harassment allegations; artists sign letter objecting to prototypes of Trump’s border wall being called art; temporary export ban placed on works by Victorian photographer Julia Margaret Cameron.
The committee of the artist-run Glasgow gallery, which last week was dropped from Creative Scotland’s portfolio of regularly funded organisations, has issued a strongly-worded statement lambasting the decision.
The 2018 a-n Artist Bursaries are now open for applications, with awards of between £500-£1,000 available to a-n Artist and Joint (Artist and Arts Organiser) members wishing to undertake a self-directed professional development project.
News briefing with national and international stories, including: Great Exhibition of the North opening event unveiled and Singapore arts community protests proposed changes to Films Act.
The Birmingham gallery and artists’ studios was added to Arts Council England’s national portfolio this year, marking a new chapter in its development. Programme director Kim McAleese and associate curator Seán Elder map out the before and after of “a pretty incredible year”.
The director of Manchester’s Castlefield Gallery looks back on her first year in the role, a period which has seen the organisation renew its Arts Council England NPO status enabling it to push forward with its talent development programme for artists.
a-n’s newest website development draws together more than 250 cultural policy and strategy documents into one place, offering free access to an index of over 20 years of research from across the visual arts and creative sectors in the UK.
Emerging activity in the city’s medieval gateways, towers and vaults complements Southampton’s new Cultural Quarter development.
The Artists’ Moving Image Northern Ireland festival in Belfast has been pulled together with minimal funding and plenty of mutual support by two artists based in the city. Jack Hutchinson talks to co-organiser Jacqueline Holt about their efforts to support moving image practice in the six counties.
At a recent symposium in London, academics, technologists, artists and film makers gathered to discuss the politics and ethics of art technology. Artist and writer Alistair Gentry attended and was struck by the need for a much closer relationship between the tech and ethical tendencies in this ongoing and vitally important debate.
As Stoke-on-Trent welcomes the British Ceramics Biennial, artist, writer and AirSpace Gallery associate Selina Oakes provides an introduction to the polycentric city’s art scene.
Katriona Beales’ ‘Are We All Addicts Now?’ exhibition at Furtherfield Gallery is part of a cross-disciplinary investigation into the lure of digital technology which she instigated three years ago. Lydia Ashman talks to the artist and her collaborators, which include the clinical psychiatrist and addiction expert Dr Henrietta Bowden-Jones.
A new report by François Matarasso has been published on the impact of a week-long pilot lab that offered six early career artists, aged 50 and over, time to explore how creativity can be nourished and how artists can challenge themselves to develop.
A selection of exhibition highlights for the week ahead including exploratory tenderness in Liverpool, cucumber straighteners in Scunthorpe, and cruise ship aesthetics in Edinburgh.
One half of the London-based performance company There There with Dana Olărescu, Bojana Janković argues that the economic pressures more and more artists face are ultimately shaping the kind of work that gets made, especially by emerging artists, with profound and long-term consequences.
Market Gallery’s recent Free Market symposium – supported by an a-n Artist Led Bursary – brought together thinkers and doers to discuss issues around ‘cultural resources in crisis’ and was in part informed by the Glasgow gallery’s own precarious situation. Chris Sharratt reports on three days of thinking beyond the usual.
As a member of Artangel’s production team, Laura Purseglove is used to site-specific working and navigating the complexities of staging art projects in historic buildings. All of which will be useful experience for her role at ACE Trust, where over the next two years she will be developing a programme of exhibitions and commissions for churches and cathedrals throughout the UK. Pippa Koszerek finds out more.
A new report from the London Assembly is calling for the Mayor of London to manage gentrification and protect the city’s cultural ecosystem from the effects of regeneration.
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