News feature - Page 11 of 20 - a-n The Artists Information Company

‘Confined Spaces’ is a group exhibition in the cells of the Old Gaol and Police Station at Campbeltown on the west coast of Scotland. Chris Sharratt speaks to artist and curator Rhona Taylor about the challenges of turning the 19th century building into a temporary gallery space for work by 11 artists.

Best known for her abstract paintings, Russian-born artist Yelena Popova’s current solo show at Nottingham Contemporary in her home town is split across two spaces and includes a computer-coded video projection. Anneka French discovers more about her relationship with paint, digital imagery and collaborative working.

A new development in south London that will provide between 80 and 100 workspaces for emerging artists and creative entrepreneurs is in the final stages of construction, with a hot desk space, gallery and café already open. Artist and Hotel Elephant co-director Emily Woodhouse speaks to Jack Hutchinson about how the project, established in 2009, found its new home.

With a long and close relationship between the UK and Poland stretching back over generations, and an estimated 800,000 people born in Poland currently resident in the UK, what is the Polish view on Brexit and its implications for the visual arts? Emma Sumner talks to Polish artists, curators and visual arts professionals to find out.

In the latest instalment of her monthly column on artists’ books, Sarah Bodman looks at two artists whose publishing practice sees them exhibiting at major upcoming events in the USA.

Renowned for his work exploring issues of security and secrecy in the ‘war on terror’, Edmund Clark’s Negative Publicity sees the British photographer examine the CIA’s programme of extraordinary rendition. On the occasion of a new monograph and year-long exhibition at the Imperial War Museum London, he talks to Tim Clark about the challenges of photographing invisible mechanisms of state control.

Pippa Koszerek talks to artist Beth Collar about how a 2014 residency at Glasgow Women’s Library has influenced the sculptures that she is currently showing in the Tall Tales national touring exhibition.

Artists Lucy Parker, Rachel Pimm and Katie Schwab present newly commissioned work in a show marking the 10th anniversary of Jerwood Visual Arts’ national programme supporting visual arts practice.

Edinburgh Art Festival’s Platform exhibition provides early career artists the opportunity to develop and show work at this high-profile annual festival. Richard Taylor talks with one of this year’s artists whose intriguing commissioned work was built in the Scottish Highlands and fine-tuned through collaboration during residencies in Abroath and Holland.

The latest exhibition from Scottish artist Jenny Steele is the result of her research into 1930s Seaside Moderne architecture in North West England and Scotland.

Ranging from painterly abstraction to figurative interiors and landscapes, Hurvin Anderson’s solo exhibition at New Art Exchange, Nottingham, expands on two long-standing motifs of the barbershop interior and the municipal park landscape and includes his Arts Council Collection commission, Is It OK To Be Black? Wayne Burrows talks to the artist.

1000 Words Editor, Tim Clark selects his five must-see exhibitions from Les Rencontres d’Arles 2016 – the bright, bushy-tailed festival of photography in the south of France now celebrating its 47th year.

Turner Prize winning artist Martin Creed has major shows on at Hauser & Wirth Somerset and Park Avenue Armory in New York, has recently played at Glastonbury, and has just released a new album of songs, Thoughts Lined Up. Fisun Güner talks to him about music, art, food phobias and life after Brexit.

A recent symposium held in Glasgow and organised jointly by Glasgow School of Art and Q-Art saw fine art staff, students and industry professionals examine the role of art schools and how they prepare students for life after university. Laura Campbell reports on the issues raised and the possible solutions.

In the latest instalment of her monthly column on artists’ books, Sarah Bodman looks at some beautiful publications inspired by the works of the Bard ahead of this year’s Liverpool Artists’ Book Fair.

The outspoken artist and performer Liv Wynter is undertaking a residency at the artist-run Royal Standard titled HOW MUCH ARE THEY PAYING YOU? to coincide with this year’s Bloomberg New Contemporaries at Liverpool Biennial. Laura Robertson speaks to her about activism, artists getting paid, and remembering Ana Mendieta.

As the first artist-in-residence at Peak in south east Wales, Rebecca Chesney has created a new painting project that responds to the landscape of the the Black Mountains.

The Live Art Development Agency presents 20 artist-led projects around the UK for DIY 13, a professional development programme for and by artists. Lydia Ashman finds out more.

John Stezaker, known for his photographic collages constructed from found images, has turned curator for ‘Turning to See: From Van Dyck to Lucian Freud’ at Birmingham Museum and Art Gallery. Anneka French talks to the artist about his new departure, how he selected works for the show, and where his own art fits in.

For the latest in her ongoing series looking at artists’ books, Sarah Bodman previews forthcoming events at Baltic, Gateshead and The Forum, Norwich.

At 88, the American painter Alex Katz is as prolific as ever, producing large-scale works and exhibiting widely. With a new show just opened at the Serpentine Gallery, Fisun Güner talks to the Brooklyn-born, Manhattan-based artist about finding his way in the 1950s, getting noticed in the 1990s, and hitting his stride in his later years.

Three artists present work stemming from their recent residencies at the 19th century, neo-Norman Penrhyn Castle, a former family home near Bangor now managed by the National Trust.

For her Clipping the Church project in Erdington, Birmingham-based Czech artist Tereza Buskova has combined idiosyncratic customs and community workshops to create a public procession involving baked goods, live music, elaborate costume and the local church. Anneka French speaks to the artist and parish priest Reverend Freda Evans.

Dale Lewis is one of three Jerwood Painting Fellows currently exhibiting work at Jerwood Space, London. He talks to Fisun Guner about working with mentor Dan Coombs, his mind-crushing experience as an artist’s assistant, and what inspires his open, chaotic and darkly humorous paintings.

Inspired by ’60s radicalism yet rooted in the contemporary climate of austerity and the commercialisation of art school education, the second Antiuniversity Now! festival offers an alternative to mainstream models of learning through four days of free events, activities and lectures across the UK. Lydia Ashman reports.