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The art of incarceration: representation and rehabilitation in UK prisons

With reference to Edmund Clark’s current Ikon Gallery exhibition ‘In Place of Hate’ – the result of three years as artist in residence at the therapeutic prison HMP Grendon – a recent symposium in Birmingham explored the role of art and its use as a rehabilitative tool. After a day of talks and presentations, Carrie Foulkes finds her belief in socially-engaged practice reaffirmed.

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NOW SHOWING #234: The week’s top exhibitions

This week’s selection of recommended shows includes: light installation at the Hepworth, Wakefield; sound, video and installation at Chapter, Cardiff; and moving image and photographic works at De La Warr Pavilion, Bexhill-on-Sea.

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Blogger Q&A: Michael Borkowsky, artist and perfumer

This week’s featured artist blogger on a-n’s Instagram is Michael Borkowsky. Over recent years the Sheffield-based artist has adopted the craft of perfumery in his visual art practice leading him to, amongst other things, work directly with other artists in portraiture. Richard Taylor finds out more.

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NOW SHOWING #233: The week’s top exhibitions

This week’s selection of recommended shows includes a cabinet of curiosities at Whitechapel Gallery, London, an exhibition inspired by Virginia Woolf’s writings at Tate St Ives, and a reimagining of public sculpture and monuments at Spike Island, Bristol.

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NOW SHOWING #232: The week’s top exhibitions

This week’s selection of recommended shows includes an exhibition in Wolverhampton of works by seven of the artists who featured in last year’s Diaspora Pavilion at the Venice Biennale, and an exploration of the significance of TS Eliot’s poem The Waste Land in Margate.

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In Brief: Warwick Arts Centre awarded major capital funding for new gallery; Creative Scotland reinstates five organisations after backlash over cuts

News briefing with national and international stories, including: Not Surprised call for boycott of Artforum over handling of Knight Landesman harassment allegations; artists sign letter objecting to prototypes of Trump’s border wall being called art; temporary export ban placed on works by Victorian photographer Julia Margaret Cameron.

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