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But then, on the other hand, there’s only so much courage I can muster. A girl needs a comfort blanket. Mr Jones can raise his eyebrows as much as he likes.

It takes bravery to write lyrics that mean something. That initial start (for me anyway) takes something often quite visceral… personal… emotional… and puts it out there for all to see and hear.
I am so fortunate to have the musicians around me that just take this and go with it. By the time it gets to ears further out, it has been mediated to some degree. Some might call this compromise I suppose. But I still know which bits are me. I keep my fingers crossed that no one spots me hiding in these songs.
It took bravery for me to start reading these words as poetry to an audience. It has taken all that mustered personal determination to then start singing them, first in the songwriting circle, and then in the slightly wider world of the friendly audience.
With these three guys: Andy Jenkins, Ian Sutherland and Dave Sutherland (no relation) I am protected a little as I contemplate tiptoeing out into a wider world. There has been talk of recording an album of these songs we write together. That I can cope with – bring it on! There is also talk, naturally among this lot, of performing them to real people, not just those invited special people, but people who may have walked in off the street and might not be at all kind to a fat middle aged woman who forgets the words.

But I am determined to challenge myself in this way. I sing through metaphorical if not physical gritted teeth. The heart beats faster. I can never remember how these songs start, and there is always barely contained panic… And then I find the opening chords lead me to it and it is fine.

The writing together is a challenge. But that gets the blood pumping too. I might have half a song of lyrics, or even a whole song, but as the music develops, sometimes they don’t scan well… I tend to write first drafts without much rhyme, and sometimes ignore metre too, wanting to get meaning clear. The challenge then is, while three musicians are trying out different chord progressions and time signatures and all that other musical science, I have to change it quickly, before that point where they all stop and look at me. I’m terrified they will stop and look at me, and I’ve got nothing! Adrenalin is my friend.
Adrenalin is not my friend, because after these evening sessions, I stand little chance of getting to sleep before three, or staying asleep if I do!

So, if you don’t mind, I shall take with me whatever comfort blanket I can find. Whether that is a sketchbook, an old bra, a girl’s summer dress… Or an actual blanket. I shall cling onto the corner fiercely, while pushing myself in uncomfortable directions.

I am conscious very time I step up to the mic that everything could go tits up (thank god I brought the bra!)

But with greater risk comes greater reward…

 


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I passed my sketchbook on to Dan for him to look at and respond to a little while back.
What this means is there is no cohesive way for me to pin down the ideas as they come into my head. After a scary few days when I felt like my mum had put my blanky in the washing machine, I think actually it is doing me good. Of course I am still able to make notes and sketches, it isn’t the only source of paper in my life. But the collection of scraps and thoughts on my desk is now less linear. I shuffle them about a bit now and then, or accidentally knock them onto the floor which enables me to see different connections. Also, the edge of the page is no longer a constraint. Or the colour of the paper, blah blah blah. I know that these shouldn’t be constraints even if I have a sketchbook, but in reality they are.

The ideas are swimming about in the ether about six inches above my head so it seems. If they persist, then I jot them down on something… Post it notes, backs of envelopes, Greggs’ paper bags. So they can settle down. There are advantages to this current system. Time will tell whether I continue using it once my blanky is back in my hands. I intended to stick them down in the book when it comes back, but I’m not sure if I will…

I want to hand this book around a little. But who I give it to is a thorny issue. It is a thing of trust isn’t it, letting someone look through the foolishness contained within your sketchbook? Those half-baked ideas and stupid connections that fall apart at the slightest examination. You have to be sure the person understands how the sketchbook thing works.

Dan is a writer. He understands the stream of consciousness thing, that gets rid of rubbish and occasionally yields a little gem of an idea. He also knows me and my work very well. So he is trustworthy and a safe pair of hands I’m sure.

And this is the crux of the matter. My Blanky…. By only giving the book to people I already know well, who know my work well and who I trust implicitly, is it really any risk at all? Is it going to expand the thinking in the slightest?

I’m not sure also, if the lack of the safety and comfort of my sketchbook has led me down a different path while I wait for it to come back.
I’m writing more lyrics. The making of things with fabric and needle has pretty much stopped at the moment.
But I’m thinking this is sort of apt too. I talk of the unfelt touch, the effect of one upon another. The belief that our edges cannot be seen with the naked eye….. So instead of making something physical, I make a sound, a song, I weave and stitch the words and sounds instead. Their notes and notes can be pinned to paper as an aide memoire, but the real thing is the thing in the air that drifts in the space, caught by a different sense, taken away and spread unknowingly…. This should really be perfect for this body of work!

And yet… I have stitched and made for so many years now that actually I am finding it hard to reconcile my creative thoughts to the not-stitched.

So maybe giving my sketchbook a holiday, and disrupting my studio space are good excuses to allow me this adventure, and allow me to develop a few ideas to the point I feel confident they stand and are valid, without stitch.

I’ve posted a couple more songs onto the new website… feel free to listen and comment…


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Time for a shuffle about.

 

During the hanging of the latest exhibition at ArtSpace by my life drawing group, all the rubbish, tools, and general detritus – you know the type of stuff I’m sure – has been unceremoniously dumped in my studio.

 

As I sat there this afternoon, turning in my spinny chair, I took stock. There are things there that I moved in with me during the first days and weeks, that actually, I don’t use or need. Things have been put in a space because that is where the space is, but actually, the capacity for their function isn’t very good.

 

So what I need to do is decide what should/shouldn’t be there. Then I probably need to move things out, including furniture maybe. I need to think about what I do in that room, and where the equipment should go in order to enable me to do it without having to shuffle stuff about every damn time!

 

I think I may need Briony Lewis. She is a genius when it comes to these things. And she’s really strong too. And her knees work!

 

I think I basically now need two work areas, one for sound equipment, and one for making. And they need to be set up so that I can sit at whichever one I want, without the clutter from the other getting in the way… hmmmm…..

 

BRIONY!!!!


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It’s not a T-junction or a crossroads. It’s more like that gentle uphill curve in the road that winds around a hill. You can’t see very far ahead. You can’t see where it’s going, what the landscape is other than your immediate surroundings. I was born in Malvern and spent my life with analogies such as these. From my bedroom window I could see the weather roll in over the hills. My mother came to know exactly how much time she had got before she needed to get the washing in… Because she could see it coming. But once you got up there, up close, you had no idea. At certain times of year you could go round a bend and swoop between the trees and suddenly find an isolated patch of fog so thick you couldn’t see the front of your own car. Or a nasty patch of ice the sun couldn’t get to. Or a gap in the trees through which the sun could temporarily blind you.
Analogies that pop back into my head. I can map this period of my life to a journey up, around, through those hills. At the moment I am on that long upward curve. I can’t see very far ahead… But I know the conditions will change. You have to be prepared for anything. Wellies and Sunhat. Kendal mint cake?

I can feel it coming.
I don’t know what to pack.


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It’s been a very exciting year… And it’s not over yet!

When I fill in the evaluation form for the Arts Council, does anyone know if there’s a section for Gobsmackery?

I’ve done things this year I never thought I’d do. I’ve been places I never dreamed I’d go. I’ve met people that have rocked my world.

The year has opened doors, introduced new possibilities… I just have to get in the car and drive there…

This weekend sees the launch of my new website. Over the years since I first had a website, the more work I’ve done, the less I have on the site. Each update has meant simplification, deletion, rationalisation, clarity. Each time I have a go at it I get rid of stuff. This latest go is even more brutal. A complete rebuild on a different platform. Leaner meaner fighting machiner!
(For which I must thank Briony Lewis, Life Model and Tech Geek extraordinaire… A talented woman with an unerring skill for spotting the right time to put the kettle on!)

Each update has signified a shift in thinking, a statement that I am more sure of myself. Compared to earlier versions, this one is practically naked. I’ve stripped out most of the text, halved the menu, halved the images. The photos are mostly done now by professionals, not me with my phone. Songs have become more prominent and are embedded. Video is way up there.

Education has disappeared. That’s not to say I don’t teach any more, or I don’t think it’s important: just that this isn’t the place for it. The people who are likely to hire me for educational work already know who I am and where I am. Also, I don’t want to work with children in schools any more. It’s there in my cv/bio. It is important to me that I did it. I am passionate that children get first class art, design and craft education. But I truly believe I’m not the right person to deliver it at the sharp end any more… I’m sure as anything that if, at some point, I get grandchildren, visits to Grandma will be messy. I anticipate baking and paint. Possibly on the same table. Probably at the same time. Stains on floor and walls will be seen as trophies and memories… But 30 children at a time can be someone else’s job.

The quilts have gone too. There were far too many of these, and they skewed emphasis. I have a house full of quilts. That’s what they’re for… Snuggling up under at home. I don’t need them on my website. I’m not making them for anyone else, and to be honest I’m not making them for me any more either. Gone!

In addition to my own launch, my friend Bruford Low and I wrote a song together that is now available on iTunes and Spotify… Go on…. Download it…. I know you want to…
It’s called Jealousy
This is very exciting… Hand trembly – brain fizzy – excuse me while I pop to the loo – exciting!

Next week, three more friends and I have booked time together in my studio to write. As part of the Songwriting Circle agenda, we collaborated and wrote a song. We have decided to do it again. It took a couple of pushes by our esteemed leader, Dan. I think this was almost by way of giving permission… allowing ourselves to do it, valuing the art as it were, giving time to something that could be brilliant!

So, on the outside it might look like I’ve just updated my website. It has greater significance. I am not that woman any more…

There’s a story told in the Songwriting Circle… And I think it originally came from Bruce Springsteen (not that he’s in the circle, it’s just his story)… That all the different versions of him are all in the same car… But the person he is now is doing the driving. That’s how it should be. The eighteen year old me that I recently posted a photo of on Facebook, she had no idea! So she should definitely not be driving!

(oh how I loved that stripy blazer!)

 


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